1 Tegore

Memories Of A Dead Man Walking Essay

Dead Man Walking is actually mostly about a live woman walking: Sister Helen Prejean, who's the writer and the narrator and the spiritual center of the book. She may not actually look much like Susan Sarandon, but the story is about her, anyway.

So, Prejean is totally a nun working in the New Orleans housing projects and teaching high school dropouts, because this is the kind of socially active thing nuns in her sisterhood have decided to do. A member of the Prison Coalition asks her to be pen pals with Patrick Sonnier, an inmate on Death Row who has been convicted, along with his brother, of a horrific rape and double murder. She agrees. Consequences follow.

Prejean meets with Pat and learns the details of his case. She also meets his brother, Eddie, who it seems likely is the one who actually pulled the trigger to kill the two teens, David LeBlanc and Loretta Bourque. Prejean becomes more and more involved in the details of the case and begins working with lawyer Millard Farmer to try to get Pat's sentence commuted to life in prison.

Spoiler: she fails. Pat's executed—though as his spiritual advisor, she manages to get him to reconcile himself to his death and to offer words of apology and forgiveness at the very end of his life. With his last words, he says he loves her. Prejean watches as Pat is put to death.

As you'd imagine, this is extremely upsetting, and though Prejean is committed to trying to change the death penalty, she never wants to be a spiritual advisor again. But not long after this, she's asked by Millard Farmer to advise Robert Lee Willie, a Death Row inmate convicted of the rape and murder of an 18-year-old girl named Faith Hathaway. Prejean says yes, she'll be this dude's spiritual advisor because, well, that's the sort of thing you do if you're a social advocate nun.

With Pat, Prejean did not contact the families of his victims. They were hurt and wondered what the Catholic Church was doing supporting murderers. Prejean feels she did the right thing in working against the death penalty, but she also feels that she needs to work to try to help victims, too, so she reaches out to the parents of Robert Lee Willie's victim Faith.

   

Prejean's relationship with Faith's family is difficult, but she eventually becomes good friends with Vernon Harvey and Elizabeth, even though they are enthusiastic supporters of the death penalty. (Vernon says at one point that he and Prejean are like friends who root for opposing baseball teams, which doesn't seem quite, quite, right, but it's close enough.)

Anyway, Robert Lee Willie is much less likable than Pat Sonnier. In media interviews, for example, he boasts about being a fan of Hitler. On top of that, he's a lot less remorseful about his horrible crime than Pat was. Nevertheless, Prejean works to get him to accept responsibility, and she tries to convince him that his life has dignity and worth. She also works to try to get his sentence commuted to life in prison.

Spoiler: she fails. He is executed.

The book has kind of a grim inevitability to it.

After the execution, Prejean becomes closer to the Harveys. She continues to work for the abolition of the death penalty, and, thanks to the Harveys, she also tries to work to get better treatment for victims by law enforcement.

So… as you may have noticed in this quick synopsis, the plot doesn't really work like you'd expect it to from a novel, or even from a lot of nonfiction books. The point of the book, though, isn't really the plot; the events in the book are mostly meant to be examples, or persuasions. They're part of a case against the death penalty, which includes statistics, quotations, and other examples.

At the same time, though, even though they doesn't exactly carry the book, the stories of Pat and Willie and their victims' families are vital to what Prejean is trying to do. The book has to be a memoir, not just an argument, because Prejean wants you to see that people are involved on both sides. She wants you to sympathize with the victims and their families, but she also wants you to witness the executions, and she wants you to understand that when the state kills, it kills a human being, with relatives and family, and with dignity, no matter what awful things he might have done.

The Redemptive Power of Love

Throughout Dead Man Walking, Prejean presents love as the one force that has the power to alter and redeem a human life, as well as restore dignity. Prejean says that love has sustained her throughout her life. She grew up in a household filled with love, and she has faith in God’s love, which gives her energy and courage. The loveless lives of Patrick Sonnier and Robert Willie stand in stark contrast to Prejean’s life. Patrick acknowledges that he never knew love in his ordinary life but says that he has found it in prison. Patrick’s relationship with Prejean becomes his source of strength and courage in the last hours of his life. The love between Patrick and Prejean allows Patrick to atone for his sins at the end of his life.

The Linked Symptoms of Social Injustice

Prejean’s fight to abolish the death penalty is not just a fight against one component of the penal system; it is a battle in the greater war for social justice. Prejean begins her career of social activism by working with the residents of the St. Thomas projects. From there, she becomes an anti-death penalty advocate. Her experiences in the projects and in prison are linked not only by violence, but also by poverty and by a flawed, arbitrary, and biased justice system. Capital punishment, poverty, and violence must be understood as three symptoms of the general injustice of society. Each struggle for the poor and disposed is a struggle for justice.

The Importance of Personal Responsibility

Prejean stresses the importance of personal responsibility by challenging the government officials responsible for capital punishment, as well as the men on death row, to hold themselves accountable for their actions. In her moral and philosophical perspective, every individual is responsible for his or her own actions, regardless of circumstances. For Robert Willie and Patrick Sonnier, taking responsibility for their crimes is the first step to atonement. The state officials Prejean encounters must understand that they bear some of the responsibility for the executions they carry out. Prejean believes that most of these officials are decent men and women, but she also believes that their participation in an unjust system cannot go unnoticed. Only when each individual claims responsibility for his or her role in the state’s death penalty policies can change happen.

The Moral Cost of Executions

At the heart of Prejean’s argument against capital punishment is her belief that the moral cost of state-sanctioned killing is too damaging to tolerate. In addition to the obvious and quantifiable cost of executions, society pays a greater, more abstract moral cost every time it condones the killing of an individual. The death penalty violates society’s most fundamental belief: that human life is worthy of respect. By violating that trust, society violates its own values. Justice is transformed into vengeance, and the very crime that outrages the state—murder—becomes its means of punishment. The moral cost of executions, unlike the fiscal cost, cannot be assessed with a calculator but is instead determined by every individual in a society.

More main ideas from Dead Man Walking

Leave a Comment

(0 Comments)

Your email address will not be published. Required fields are marked *