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Much Ado About Nothing Essay Conclusion

Initial Situation

Claudio Likes Hero; Beatrice And Benedick Hate Each Other.

Claudio announces that he noticed Hero before the war, but he was busy with war stuff. Now he can get busy with love stuff. Overall, he falls in love with Hero quickly. Beatrice and Benedick, by contrast, seem to have spent a long time developing their feelings towards each other. Beatrice alludes to some past interactions she may have had with Benedick that have soured her both on him and on love. Essentially, they hate each other fiercely... and this is only Act I.

Conflict

Claudio Worries That Don Pedro Has Stolen Hero; Benedick And Beatrice Are Told Of Each Other’s Love.

Claudio hasn’t even properly announced his love for Hero and he’s already sure it's over. When everyone’s at the masquerade ball, and Don Pedro is wooing Hero in Claudio’s name, Don John slips over and plants the suggestion that Don Pedro is getting Hero for himself. Claudio becomes suspicious and immediately writes off his love for Hero and his friendship with Don Pedro. Worse, we realize he’s kind of a wuss for not even being willing to fight for the girl he loves.

Some more conflict develops in the parallel plot of Beatrice and Benedick, in a kind of inside-out way. In a traditional plot, conflict happens when two people who love each other end up hating each other. In this case, once Hero and Claudio get their marriage stuff straightened out, all attention turns to getting Beatrice and Benedick to fall in love. They kind of start to—and what’s creating conflict is that this whole time they’ve hated each other, and now suddenly have to deal with the fact that they might be in love.

Complication

Don John Plots To Ruin Claudio And Hero’s Wedding; Benedick And Beatrice Are Sick With Love For Each Other.

The inexplicably villainous Don John won’t give up just because he’s failed to ruin Hero and Claudio’s relationship once. Instead, he’s worked out a plan to frame Hero as disloyal, and he puts it into action by having Claudio and Don Pedro witness his little set up.

In the meantime, our two favorite characters, Beatrice and Benedick, are falling in love. The problem is, they haven’t admitted it to each other yet, and instead it’s just ruining their personalities. Through the middle section of the play, both Beatrice and Benedick become dull and lose the spark we’ve come to appreciate about them, because they’re stuck in that unrequited-love phase. We may be kind of rooting for them to get together eventually, but their love is complicated by the possibility that it might make them boring and typical, thus robbing them of all the qualities that made them fall in love with each other in the first place.

Climax

Claudio Rejects Hero; Benedick Admits His Love For Beatrice; Beatrice Asks Benedick To Kill Claudio.

First of all, this scene is climactic because it’s so out of character for Claudio. We’ve known Claudio up to this point to be kind of wimpy—he doesn’t stand up for himself when Benedick teases him for being whipped, he doesn’t have the cajones to tell Hero himself that he loves her, and he doesn’t even fight for Hero when he thinks he's lost her to Don Pedro. 

Our notion of Claudio is blown open in the wedding scene, because he has fierce feelings—and acts on them. In fact, this is the first time he’s even engaged in a real conversation with Hero (when they decided they would get married, Hero didn’t say a single word). Claudio’s explosion, provoking the taciturn Hero to react, is kind of a big deal.

This scene is also climactic because of what actually happens. Claudio loses a wife, Leonato loses his daughter and his reputation, and Hero loses her "life"—or at least her ability to have a normal life from now on. High drama, all over the place.

As far as Beatrice and Benedick go, this same scene is a climax in their relationship too. All of this turmoil has put pressure on Benedick to reveal his love, especially because of how upset Beatrice is. The only thing that can comfort her has to be as powerful as the thing that’s upset her—and the straight declaration of love from Benedick is strong enough to startle. 

Beatrice responds equally climactically—she’s full of fury, and demands that Benedick kill Claudio if he loves her. She won’t hear reason, so Benedick agrees to challenge his friend to a duel.

Suspense

Don John’s Plot Must Be Revealed; Hero’s Name Must Be Cleared; Benedick Challenges Claudio.

All of the characters are so emotional right now that you’re on the edge of your seat, or your page. The plot has gotten so thick that unraveling is going to be a challenge. Whatever the solution is, it’s going to have to resolve a lot of issues: Hero will have to come back to life publicly; Claudio and Don Pedro have to be redeemed as decent people; Don John and his henchmen have to be brought to justice; and the rift between Benedick and Claudio has to be sealed. 

Also, Beatrice and Benedick’s new-found love is going to have to survive the strain of the "murder" of Hero and the impending attempted murder of Claudio.

Denouement

Borachio Reveals The Plot; Claudio Relents And Repents And Plans To Marry Leonato’s Mystery Niece; Benedick No Longer Has To Challenge Claudio.

Everything is nearly fixed when Borachio admits the whole plot, full of apology, to Don Pedro and Claudio. Faced directly with their misjudgment, Claudio and Don Pedro feel really, really bad, and have to try to make it up to Leonato. Leonato relaxes the whole situation by giving Don Pedro and Claudio an out—mourning Hero publicly to clear her name publicly, and Claudio will get a second chance at being in Leonato’s family by marrying his mystery niece.

Further, we know there’s no real harm done in the relationship between Hero and Claudio; Claudio will be excused for having simply made an error in judgment, so Hero won’t hate him forever. Everyone’s just happy the girl can get married again, so it’s like all systems are back to the status quo. Also, Benedick no longer has to kill Claudio, which significantly relaxes everyone.

Conclusion

Everyone Gets Married.

With everything cleared up, Hero reveals she is still living and still as innocent as on her original wedding day. Benedick and Beatrice approach their conclusion on a more tense note; Benedick proved his love for Beatrice by choosing her (and justice) over his friends, but their relationship is put to the test by Benedick’s public declaration of love. 

To admit that they no longer hate each other, and that they actually might be in love, is a huge concession for Beatrice and Benedick. Though they started the play hating each other, and they’ve come around to happily loving each other, this scene of publicly getting together makes us certain that these two characters won’t be tamed by domesticity, but will actually preserve all of the acidity we love about them. Finally, it’s tacked on to the end of the play that Don John has been caught and is awaiting his punishment, which reminds us that there is justice in the world.

Much Ado About Nothing by William Shakespeare Essay

559 Words3 Pages

Much Ado About Nothing by William Shakespeare

The play has comedy, romance, suspense, action and a lot of drama twisted into several hundred lines of verse. In the end, however, everyone is happy and not a lot changes. Thus, Shakespeare shows the reader that although the play is enjoyable and witty, it really is not a very important piece of literature because of its subject matter. The play is important because it shows us that life itself is similarly enjoyable and foolish - our lives are "much ado about nothing."

Undeniably, the play is about nothing; it merely follows the relationships of Claudio and Hero, and in the end, the play concludes in the two other main characters falling in…show more content…

At the beginning of the play, Claudio and Hero eventually come to admire one another, and Benedick and Beatrice play off each other's wit in a manner that is all too cosy. The irony is that, were it not for the fuss created over the nothingness in between, the play would indeed be about nothing. The middle section of the play centers on the false assumptions of Benedick and Beatrice, as well as the lies told to Claudio about Hero's supposed death. Considering that the saga is thus based around lies and assumptions, which both amount to nothing in terms of the truth, we can conclude that the drama is indeed about nothing. Not even Don John manages to remove the nothingness from the play: he purposely invokes lies about Hero and Don Pedro, which eventually amount to nothing when Hero and Claudio are united. In fact, the irony is that Don John's evil produces good in the end, because it provokes the crisis of the play, and results in a strengthening of love.

The idea of noting is also continued throughout the play, and is particularly shown by the changing relationship between Beatrice and Benedick. They play games with each other's wit, which in the end amounts to nothing because they fall in love. At one

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